If I were to merely state that the new CD from Shane Mauss, “Mating Season,” is a fun look at evolution and how females steer life through existence, that wouldn’t be doing the project justice (as accurate as it may be). Although my description sounds like it might be a yawn-inducing study of science and anthropology, this album is anything but. Mauss has put together a tight set with a lot of big laughs as he, yes, puts humanity (and other life forms) under the microscope, trying to figure out just why we do what we do - and often disputing the claims of others along the way.
The basic theory Mauss adheres to is pretty simple (Evolution is driven by female choice and the role of the male is to wear fancy stuff for them) but as he excavates and digs deeper, he’s able to find a lot of great material hiding in the recesses. Men mistakenly think that having a Man Cave is a display of our status as Head of the Household but when you realize that it’s usually cordoned off to a basement, attic, or detached garage you begin to realize just how disillusioned we are.
As much as you may not agree or want to hear it, Mauss has pretty compelling evidence to support his Women-Are-Driving-This-Car hypothesis. He marvels at their ability to still run errands during pregnancy when, for him, a burrito is all it takes to be sidelined. The movie Braveheart isn’t actually about what you think it’s about (Sorry, Freedooooom lovers) and all it takes is a cute set of short shorts to amp the intensity in a casual pick-up game of basketball.
Although most of Mauss’s set is based on science, he spends the last couple of tracks on the album on the other side of the coin with a visit to The Garden of Eden and the first moments of Adam and Eve. You have to admit he’s onto something when he wonders what it would have been like for Adam to just…suddenly….be.
As much fun as “Mating Season” is, the bits I enjoyed the most were the ones where Mauss shifted the focus from general observations to detailing specific moments of his life. I realize I sound like Keenen Ivory-Wayans on this season of “Last Comic Standing” (His repetitious “We wanna hear more about you” critique of every comic that performed has basically become his version of Randy Jackson’s “You sound pitchy, dawg”), but in this case those were the moments I found the funniest.
Mauss has a strange game/joke/goof he likes to play on his wife that is basically the exact opposite of Jim Carrey’s butt-talking gag from Ace Ventura and “Showing Off,” the best track on the album in my opinion, takes us step-by-step through an epic flee from the police that ends with the most awkward impulse-use of an apple fritter ever. It’s a great bit and as Mauss recounts each of his so-bad-it-should-be-on-“COPS” attempts to escape the fuzz, the laughs get bigger and bigger.