If the goal of comedy done well is to look at life through a slightly skewed lens, then Mark Normand deserves a blue ribbon. On his debut CD, “Still Got It,” Normand excels at looking at the picture of life as we know it and nudging it a bit until it’s a few degrees off of plumb. He wonders if the Bible would be nearly as effective if the names within were modern (Encouraging people to drink the blood of Trevor just sounds weird). He genuinely feels bad for animals with jobs (The poor seeing eye dog must hate seeing the other dogs in the park jumping, running, and having their bellies rubbed). He sees the names of Chinese restaurants not as a list of options but instead examples of racial slurs worse than anything white people have come up with.
These are things the rest of us see every day but for one reason or another, we’ve never picked up on the funny staring us in the face. Fortunately there are people like Normand out there ready and willing to point it out to us. Normand is our in-person, 3-D “Wet Floor” sign.
Occasionally Normand treads the same ground as other comedians before him (Answering the dreaded “How hot am I?” question, growing up white in a black neighborhood, the women-as-sluts conundrum), but you can’t hold that against him. We’re all pulling from the same life experiences and Normand brings his own off-kilter outlook to each of the aforementioned scenarios. As a result they play as fresh, new, and yes, funny. A couple of premises sound a bit corny at first (Was the guy who invented the SNOOZE button late to the pitch meeting?) but Normand knows it and plays it up with an impish grin that comes across even on an audio-only format.
It’s Normand’s original perspective on life and brilliant metaphors that breathe fresh air into his bits. When asked how he wold respond if his child turns out to be gay, he compares it to finding a French fry in your order of onion rings (“It’s not what I expected, but I like these, too”). He wishes birth control were as simple as hangover control and when he likens promiscuous girls to Wal-Mart, he nails it with the precision of a master builder.
Normand is easy-going and likable, which is why he can get away with pushing the envelope. His interactions with the crowd are always hilarious and whenever he poses a question to the audience, he always has the perfect reaction to their answers.
For only being 45 minutes long, Normand packs a lot into this CD. His remarks on the state of present-day manliness (Everyone has a beard and no one knows how to change a tire)and his reaction to a friend’s homophobia (Go ahead. Shake their hand) are brilliant. His analysis of women (They have three moods: Mad. Happy. Not Mad.) and his glass half-full reaction to their monthly cycle (Come on, guys. You should really be happy it’s here) are just more examples of the many good things we can expect from Normand in the years to come.
Before this album I was unfamiliar with Normand but I have to agree. This guy’s still got it.